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Ruby spent the first decade of her adult life “singularly focused on procreation” (41). By 30, she was the mother of six and looking for “a fresh outlet for her energy and ambition” (41). Shari’s aunts were already experimenting with posting videos about their family life on YouTube, and one of them had managed to gain thousands of subscribers and monetize her channel. Between 2012 and 2015, family vlogs were becoming incredibly popular, creating “a new kind of reality show” and an opportunity to “transmute domestic life into a lucrative enterprise” (42).
Inspired by her sister’s success, Ruby launched her own vlog, 8 Passengers, in January 2015. It seemed to Shari like an “innocent” and “fun new project” (43). Family vlogging was also especially popular in the LDS community because it represented a modern expression of the LDS imperative to document, and it was a way for members to share their faith. In “the age of viral scandals and cancel culture,” the “wholesome, family-centered content” that LDS vloggers offered was incredibly popular, and Shari’s family soon came to embody both “the wholesome ideal and the scandalous” at the heart of modern media (44).
Ruby’s first 8 Passengers video introduced the world to Shari’s baby sister, including shots from Ruby’s gender reveal party and scenes from the hospital when the baby was born. Her next upload depicted Ruby trying sushi for the first time, and the third video introduced Chad. Soon, the Frankes’ lives “revolved around nonstop content creation” (46). Shari and her siblings had no say in the matter. At 11 years old, Shari was in the midst of awkward adolescence and began feeling “like a sideshow freak” (47). Everything the family did, from “epic tantrums” to “first steps,” was “mined for content” (47).
Ruby was determined to reach 1,000 subscribers, the number required to qualify for YouTube’s AdSense program and begin earning money for content. She reached the milestone in July, after just six months. Soon after, a video of Shari’s baby sister climbing out of her crib became the first piece of 8 Passengers content to go viral, amassing 50 million views.
Shari felt that her mother’s new obsession was turning her family’s lives “upside down,” and she was anxious to get back to “normal.” However, as Ruby’s subscribers grew to over 400,000 over the next year, she began to realize “that ‘normal’ was a luxury [they] had already left far behind” (49).
As the Frankes’ popularity grew, Ruby remodeled their home to make it more “photogenic,” creating a home that felt “too perfect for real life” (50). Shari still hated being on camera, but she quickly learned that agreeing to be her mother’s “happy, smiling costar” (51) gave her bargaining power. If Shari and her siblings agreed to film various outings, they were allowed to use the 8 Passengers’ credit card, and Shari quickly began learning the ins and outs of tax loopholes. The family got their first brand deal, and soon, the Frankes were going on vacations paid for by sponsors and receiving products to “review” faster than they could open boxes.
October 15th, 2015, was Pregnancy and Infant Loss Remembrance Day, and Ruby posted a video about her miscarriage in 2009. The video was “vulnerable” and “powerful,” and Shari is glad her mother was able to have the healing experience of sharing her loss. However, she notes that “the line between authenticity and exploitation becomes dangerously blurred when children are involved” (53). While Shari’s lost baby brother is safe from the impact of his mother’s public sharing, Shari wonders about “the lasting repercussions of growing up on camera” (53) for her and the rest of her siblings. She notes that none of them had a choice but to go along with Ruby’s vision, and “precious formative years” (53) were lost along the way. 8 Passengers’ success had dangerous repercussions for Ruby’s ego: Her “relentless ambition” was suddenly “the driving force of [the Frankes’] existence” (53).
At 14, Shari started her own YouTube channel with her mother’s permission. She wasn’t old enough for her own AdSense account, so Ruby managed it for her. However, Ruby refused to mention Shari’s new channel on 8 Passengers, claiming her daughter had to get to 100,000 subscribers the old-fashioned way. Shari “hated” filming, but she took the work seriously and “follow[ed] the blueprint Ruby had laid out” (55), using her younger siblings to fuel her content and talking about “personal stuff” like periods to get more views. Meanwhile, Ruby’s channel was filling up with comments about how viewers felt as if they had found a place they belonged in 8 Passengers. This success was “enabling” Ruby and pushing her “further and further away from reality” (57).
Shari’s internet fame from 8 Passengers earned her access to the popular cliques at school and a date with her crush, a boy named Jake. Shari was forbidden from dating boys until she turned 16, but she was ready to “rebel” for the first time. She exchanged numbers with Jake and secretly downloaded Snapchat, which was also “expressly forbidden” by Ruby. She started to imagine what it would be like to be “a regular teenage girl” (59). Ruby also had to approve anything that Shari and her siblings posed on social media. On the one hand, this represented a common maternal impulse to protect one’s children from the dangers of the internet, but often it was difficult to tell the difference between “genuine parental concern and brand management” (59).
Jake and Shari had their first date and shared a kiss. Shari felt elated on her way home, but her parents were waiting for her. They had discovered her Snapchat account. Ruby warned her that unapproved social media use could “jeopardize” the family’s “entire livelihood.” She wasn’t concerned about Shari’s safety; she was fully focused on “maintaining the perfect image for her precious audience” (62). Shari’s smartphone was confiscated, although she sometimes snuck into Ruby’s room to look at Jake’s stories on Snapchat. The risk was worth this small “taste” of freedom.
One day, in a moment of “clarity,” Shari wrote in her journal, “I don’t think my mother loves me” (63). This felt like a “very real” realization, but what she didn’t understand was what she had done to “repel” Ruby. Some of the comments on 8 Passengers complained that Shari was “a kiss-ass,” and she wondered if that was the problem. However, Shari felt that she had no choice but to be “Ruby’s obedient little puppet” (64) if she wanted to survive. She became consumed by a sense of “emptiness” that she identified as depression after taking a class on mental health in high school.
She immediately texted her father, telling him she didn’t “want to live anymore” (65). Kevin suggested that Shari try therapy and even stood up to Ruby when she claimed that Shari’s depression could be fixed through sleep, diet, and exercise. Shari felt like her father was “really seeing [her]” (66) and this made her hopeful. However, Ruby refused to let Shari see a therapist, and Shari began coping by shutting down around her mother. She also began speaking to her bishop more, confiding her kiss with Jake over and over, caught in a “relentless cycle of guilt and self-flagellation” (68) until the bishop himself suggested therapy.
Eventually, Ruby and Kevin found out about Shari’s budding romance with Jake and decided to send her to a different school. This made Shari feel like her “life was being reshaped without [her] consent” again (72). She locked herself in the bathroom, where she had a panic attack. She thought that she wanted to die, and she heard voices telling her she was “worthless” and deserved her pain because she was “ungrateful.” As the attack subsided, she found “a small, defiant” (73) voice in herself that reminded her that God loved her.
The panic attack finally made Ruby agree to send Shari to therapy, but Shari struggled to open up to her therapist. She worried about what would happen if she talked about Ruby and her mother found out. Slowly, she began speaking more honestly, finally confessing that playing piano with Ruby was “a huge source of stress” (75). Shari agreed that Ruby could come into the session, and she and the therapist told her together that Shari no longer wanted to take piano lessons. To her surprise, Ruby agreed immediately.
Nevertheless, this victory felt suspicious, and Shari’s feelings of depression and self-loathing continued unabated. She put on her “happy smile” for the 8 Passengers’ video announcing her school transfer and decided she would cope by focusing on her studies. Shari’s brother Chad, now a “budding athlete,” also attended the same school, and the siblings shared a special connection despite their divergent interests. On her first day, Shari analyzed Lord of the Rings in English class and hurried home to eat dinner before her therapy session.
However, Ruby interrupted to announce that her doctor had told Ruby that Shari was “fine” and no longer needed sessions. Shari, who had recently confessed suicidal thoughts to her therapist, was shocked and confused. She asked Ruby if she could continue anyway, but Ruby insisted that she was “a very well-adjusted girl with […] an active imagination” (80). Floored by the implication that she was making up her mental health challenges, Shari began to feel that “the only safe emotion was no emotion at all” (81).
In September 2017, 8 Passengers hit a million followers as Ruby was driving Shari to urgent care with a fever. When she turned the camera on her daughter, Shari immediately tried to smile even though she was “[v]isibly weak and exhausted” (83).
In the winter, the Frankes loved to hit the ski slopes. They often made the drive to Snowbasin, just an hour from their house. Shari, in an attempt to set herself apart, chose a snowboard instead of skis and made a silly Olympic parody video for her YouTube channel. Her channel was nearing 100,000 subscribers, and for her 15th birthday, Ruby gave her daughter a tripod and finally shared Shari’s channel with the 8 Passengers’ audience. The shout-out resulted in a flood of new subscribers, but Shari was most pleased with receiving “validation” from Ruby.
Shari’s channel started making a few thousand dollars per month, but all the income was managed by Ruby, who placed it in a savings account after taking a 10% “management fee.” Ruby didn’t tell Shari about this “Mom Tax” until months after her channel started making money.
Little by little, Shari began confiding her troubles at home in a trusted teacher, Mr. Haymond. One day, she finally told him everything in “a torrent of pent-up pain and frustration” (89). It was the first time she had been honest with someone about what her mother was really like. Mr. Haymond’s response was just to listen “patiently” and with “empathy,” an acknowledgment that was a revelation for Shari.
While Shari dealt with stress at home by shutting down, Chad coped by acting out, taking “his clownish behavior and defiance” (89) to ever greater lengths until he was expelled from school. Later that year, the Frankes took a road trip to Universal Studios for an all-expenses-paid brand collaboration vacation, and “Chad brought the chaos” (90). He photobombed Ruby’s picture-perfect shots at Universal Studios with “gargoyle faces” until he was banished to the hotel room.
Undeterred, he managed to sneak back into the park, where he spent the day enjoying the sites by himself, and was gone when the family returned to the hotel. Ruby and Kevin feared that Chad was on the path to “becoming some kind of juvenile delinquent” (91). They sent him to numerous therapists and considered a military academy. Then, however, Ruby met “[a] monster named Jodi Hildebrandt” (92).
Through these chapters, Franke introduces the theme of The Role of Social Media in Shaping and Distorting Family Dynamics. Immediately, the family’s lives began to center around filming for the channel, prioritizing the portrayal of perfect family life over building a truly strong family unit. Soon, the channel became “a force that reshaped [their] entire existence” (69), providing an income that they had never dreamed possible but also dictating the way the family related to one another.
Franke highlights how one of the first effects of the family’s social media stardom was to undermine emotional authenticity. She describes how “the line between genuine parental concern and brand management was often blurry” (59), as was “[t]he line between genuine interaction and performance” (70). It was difficult for Franke to tell, for example, if her mother was truly concerned for her safety when she insisted on monitoring what Franke posted on social media, or if she just wanted to ensure no one jeopardized their public image of the perfect, wholesome family.
Franke also begins to question the morality of family vlogging and exposing children on the internet. She argues that “the line between authenticity and exploitation becomes dangerously blurred when children are involved” (53). Although Ruby’s children didn’t explicitly refuse to be filmed, Franke wonders “what […] consent really looks like when you’re a child, too afraid to say no” (53). Despite her compliance, Franke hated the filming, especially constantly being on display during puberty. However, she felt as if she had no choice but to go along with her mother’s wishes. She argues that family vlogging can easily become exploitative, creating a harmful violation of privacy for the children involved.
8 Passengers also had dangerous ramifications for the Frankes’ family dynamics because of how the channel fed Ruby’s ego. Franke again emphasizes that ambitious women in conservative faiths traditionally have few options in life. Ruby wanted great things for herself, but the only option she was given was to have babies. Her driving motivation in starting a family wasn’t to nurture new life, but to garner success and power. Social media likewise became another possible outlet available to an LDS housewife, with Ruby realizing that she could monetize family life while also gaining more attention and a sense of purpose.
From the start, Ruby used her family as a tool to further what she saw as her own personal destiny. As vlogging became an extension of her goal to establish herself as “a matriarch worthy of widespread admiration and emulation” (43), she didn’t hesitate to exploit her children because she already saw them as her tools for personal gain. Ruby’s “snowballing online success” (53) served to “[fuel] her sense of righteousness and power as a mother who could do no wrong,” taking the Franke family “further and further away from reality” (57).
Ruby’s success on YouTube also served to cement an imbalance of power in the dynamics between herself and her husband, setting the stage for Kevin’s eventual exile from the family. Ruby had always been in control of the relationship, but Kevin was “the intellectual powerhouse” (52), providing financially and adding a calming influence. With the success of 8 Passengers, however, Kevin lost even more power in the family; everything, including the family’s income, was now under Ruby’s control. Ruby had married as soon as possible, not out of love but to begin her family empire. With her “clan” of children complete and the ability to provide financially for herself, Ruby no longer had a need for Kevin.
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